From Meditation XVII, Devotions Upon Emergent Occasions

Link to complete text

Our glance, our touch means nothing to it.
It doesn't feel itself seen and touched.
And that it fell on the windowsill
is only our experience, not its.
For it, it is not different from falling on anything else
with no assurance that it has finished falling
or that it is falling still.

The window has a wonderful view of a lake,
but the view doesn't view itself.
It exists in this world
colorless, shapeless,
soundless, odorless, and painless.

The lake's floor exists floorlessly,
and its shore exists shorelessly.
The water feels itself neither wet nor dry
and its waves to themselves are neither singular nor plural.
They splash deaf to their own noise
on pebbles neither large nor small.

And all this beheath a sky by nature skyless
in which the sun sets without setting at all
and hides without hiding behind an unminding cloud.
The wind ruffles it, its only reason being
that it blows.

A second passes.
A second second.
A third.
But they're three seconds only for us.

Time has passed like courier with urgent news.
But that's just our simile.
The character is inverted, his hasts is make believe,
his news inhuman.

As, for example, a world in which, like snow,
He became an inhabitant, obedient
To gallant notions on the part of cold.

It was here. This was the setting and the time
Of year. Here in his house and in his room,
In his chair, the most tranquil thought grew peaked

And the oldest and warmest heart was cut
By gallent notions on the part of night-
Both late and alone, above the crickets' chortds,

Babbling, each one, the uniqueness of its sound.
There was no fury in transcendent forms.
But his actual candle blazed with artifice.

This is the last stanza of a much longer poem. I will post it in it's entirety when I get the full text.

Recommended by Bill Baren

Is this the Thing the Lord God made and gave
To have dominion over sea and land;
To trace the stars and search the heavens for power;
To feel the passion of Eternity?
Is this the dream He dreamed who shaped the suns
And markt their ways upon the ancient deep?
Down all the caverns of Hell to their last gulf
There is no shape more terrible than this--
More tongued with censure of the world's blind greed--
More filled with signs and portents for the soul--
More packt with danger to the universe.

What gulfs between him and the seraphim!
Slave of the wheel of labor, what to him
Are Plato and the swing of Pleiades?
What the long reaches of the peaks of song,
The rife of dawn, the reddening of the rose?
Through this dread shape the suffering ages look;
Time's tragedy is in that aching stoop;
Through this dread shape humanity betrayed,
Plundered, profaned and disinherited,
Cries protest to the Powers that made the world,
A protest that is also prophecy.

O masters, lords and rulers in all lands,
Is this the handiwork you give to God,
This monstrous thing distorted and soul-quencht?
How will you ever straighten up this shape;
Touch it again with immortality;
Give back the upward looking and the light;
Rebuild in it the music and the dream;
Make right the immemorial infamies,
Perfidlous wrongs, Immedicable woes?

O masters, lords and rulers in all lands,
How will the future reckon with this Man?
How answer his brute question in that hour
When whirlwinds of rebellion shake all shores?
How will it be with kingdoms and with kings--
With those who shaped him to the thing he is--
When this dumb Terror shall rise to judge the world,
After the silence of the centuries?

Ornamental structures, continents apart, separated by seas;
Fitted marble, swung bells; fruit in garlands as well as on the branch;
The flower at last in bronze, stretched backward, or curled within;
Stone in various shapes: beyond the pyramid, the contrived arch and the buttress;
The named constellations;
Crown and vesture; palm and laurel chosen as noble and enduring;
Speech proud in sound; death considered sacrifice;
Mask, weapon, urn; the ordered strings;
Fountains, foreheads under weather-bleached hair;
The wreath, the oar, the tool,
The prow;
The turned eyes and the opened mouth of love.

In her depiction of the sky, one detects a certain helplessness,
the authoress is lost in a terrifying expanse,
she is startled by the planets' lifelessness,
and within her mind (which can only be called imprecise)
a question soon arises:
whether we are, in the end, alone
under the sun, all suns that ever shone.

In spite of all the laws of probability!
And today's universally accepted assumptions!
In the face of the irrefutable evidence that may fall into human hands any day now!
That's poetry for you.

Meanwhile, our Lady Bard retums to Earth,
a planet, so she claims, which "makes its rounds without eyewitnesses,"
the only "science fiction that our cosmos can afford."
The despair of a Pascal (1623-1662, note mine)
is, the authoress implies, unrivaled
on any, say, Andromeda or Cassiopeia.
Our solitary existence exacerbates our sense of obligation,
and raises the inevitable question, How are we to live et cetera,
since "we can't avoid the void."
"'My God,' man calls out to Himself,
'have mercy on me, I beseech thee, show. me the way

The authoress is distressed by the thought of life squandered so freely,
as if our supplies were boundless.
She is likewise worried by wars, which are, in her perverse opinion,
always lost on both sides,
and by the "authoritorture" (sic!) of some people by others.
Her moralistic intentions glimmer throughout the poem.
They might shine brighter beneath a less naive pen.

Not under this one, alas. Her fundamentally unpersuasive thesis
(that we may well be, in the end, alone
under the sun, all suns that ever shone)
combined with her lackadaisical style (a mixture
of lofty rheton'c and ordinary speech)
forces the question: Whom might this piece convince?
The answer can only be: No one. Q. E. D.

Long have I known a glory in it all,
         But never knew I this;
         Here such a passion is
As stretcheth me apart, -- Lord, I do fear
Thou'st made the world too beautiful this year;
My soul is all but out of me, -- let fall
No burning leaf; prithee, let no bird call.

And as I was green and carefree, famous among the barns
About the happy yard and singing as the farm was home,

     In the sun that is young once only,
          Time let me play and be
     Golden in the mercy of his means,
And green and golden I was huntsman and herdsman, the calves
Sang to my horn, the foxes on the hills barked clear and cold,
          And the sabbath rang slowly
     In the pebbles of the holy streams.

All the sun long it was running, it was lovely, the hay

Fields high as the house, the tunes from the chimneys, it was air
     And playing, lovely and watery
          And fire green as grass.
     And nightly under the simple stars
As I rode to sleep the owls were bearing the farm away,

All the moon long I heard, blessed among stables, the nightjars
     Flying with the ricks, and the horses
          Flashing into the dark.

And then to awake, and the farm, like a wanderer white
With the dew, come back, the cock on his shoulder: it was all
     Shining, it was Adam and maiden,
          The sky gathered again
     And the sun grew round that very day.
So it must have been after the birth of the simple light

In the first, spinning place, the spellbound horses walking warm
     Out of the whinnying green stable
          On to the fields of praise.

And honoured among foxes and pheasants by the gay house
Under the new made clouds and happy as the heart was long,
     In the sun born over and over,
          I ran my heedless ways,
     My wishes raced through the house high hay
And nothing I cared, at my sky blue trades, that time allows
In all his tuneful turning so few and such morning songs

     Before the children green and golden
          Follow him out of grace,

Nothing I cared, in the lamb white days, that time would take me
Up to the swallow thronged loft by the shadow of my hand,
     In the moon that is always rising,
          Nor that riding to sleep
     I should hear him fly with the high fields
And wake to the farm forever fled from the childless land.

Oh as I was young and easy in the mercy of his means,
          Time held me green and dying
     Though I sang in my chains like the sea.

His are the generous days that balance
Soul and body. Should he hear the trumpet
Behind the sun that sends its thinning ray
Penetrating to the marrow --
At once one with that cause, he'd throw
Himself across some high far parapet,
Body die to soul down the shear way
Of consummation in the summons.

His also are the days when he should greet
Her who goes walking, looking for a brooch
Under broad leaves at dusk besides the path
-- and sidelong looks at him as though she thought
His smile might hide the gleam she sought ---
He would run up to her and each
Find the lost clasp hid in them both,
Soul live to body where they meet.

Body soul, soul body, seem one breath,
Or to the twined shadows of the sun, his will,
In these, his generous days, to prove
His own true nature only is to give.
Wholly to die, or wholly else to live!
Body to soul, and let the bright cause kill,
Or soul to body, let the blood make love.
Giving is death in life and life in death.

After, of course, will come a time not this
When he'd be taken, stripped, strapped to a wheel
That is a world, and has the power to change
The brooches' gold, the trumpet scarlet blaze
-- The lightning in the bones these generous days --
Into what drives a system, like a fuel.
Then to himself he will feel loathed and strange
Have thougts yet colder than the thing he is.

So long had life together been that once
the snow began to fall, it seemed unending;
that, lest the flakes should make her eyelids wince,
I'd shield them with my hand, and they, pretending
    not to believe that cherishing of eyes,
    would beat against my palm like butterflies.

So alien had all novelty become
that sleep's entanglements would put to shame
whatever depths the analysts might plumb;
that when my lips blew out the candle flame,
    her lips, fluttering from my shoulder, sought
    to join my own, without another thought.

So long had life together been that all
that tattered brood of papered roses went,
and a whole birch grove grew upon the wall,
and we had money, by some accident,
    and tonguelike on the sea, for thirty days,
    the sunset threatened Turkey with its blaze.

So long had life together been without
books, chairs, utensils--only that ancient bed--
that the triangle, before it came about,
had been a perpendicular, the head
    of some acquaintance hovering above
    two points which had been coalesced by love.

So long had life together been that she
and I, with our joint shadows, had composed
a double door, a door which, even if we
were lost in work or sleep, was always closed:
    somehow its halves were split and we went right
    through them into the future, into night'

Say something to us we can learn
By heart and when alone repeat.
Say something! And it says "I burn."
But say with what degree of heat.
Talk Fahrenheit, talk Centigrade.
Use language we can comprehend.
Tell us what elements you blend.

It gives us strangely little aid,
But does tell something in the end.
And steadfast as Keats' Eremite,
Not even stooping from its sphere,
It asks a little of us here.
It asks of us a certain height,
So when at times the mob is swayed
To carry praise or blame too far,
We may choose something like a star
To stay our minds on and be staid.

Gossiping over tea and noodles on their break
Or talking money or politics while one fitted
This armpiece with its overseam to the band

Of cuff I button at my wrist. The presser, the cutter,
The wringer, the mangle. The needle, the union,
The treadle, the bobbin. The code. The infamous blaze

At the Triangle Factory in nineteen-eleven.
One hundred and forty-six died in the flames
On the ninth floor, no hydrants, no fire escapes--

The witness in a building across the street
Who watched how a young man helped a girl to step
Up to the windowsill, then held her out

Away from the masonry wall and let her drop.
And then another. As if he were helping them up
To enter a streetcar, and not eternity.

A third before he dropped her put her arms
Around his neck and kissed him. Then he held
Her into space, and dropped her. Almost at once

He stepped up to the sill himself, his jacket flared
And fluttered up from his shirt as he came down,
Air filling up the legs of his gray trousers--

Like Hart Crane's Bedlamite, "shrill shirt ballooning."
Wonderful how the patern matches perfectly
Across the placket and over the twin bar-tacked

Corners of both pockets, like a strict rhyme
Or a major chord. Prints, plaids, checks,
Houndstooth, Tattersall, Madras. The clan tartans

Invented by mill-owners inspired by the hoax of Ossian,
To control their savage Scottish workers, tamed
By a fabricated heraldry: MacGregor,

Bailey, MacMartin. The kilt, devised for workers
to wear among the dusty clattering looms.
Weavers, carders, spinners. The loader,

The docker, the navvy. The planter, the picker, the sorter
Sweating at her machine in a litter of cotton
As slaves in calico headrags sweated in fields:

George Herbert, your descendant is a Black
Lady in South Carolina, her name is Irma
And she inspected my shirt. Its color and fit

And feel and its clean smell have satisfied
both her and me. We have culled its cost and quality
Down to the buttons of simulated bone,

The buttonholes, the sizing, the facing, the characters
Printed in black on neckband and tail. The shape,
The label, the labor, the color, the shade. The shirt.

seas: are we guests here, with all the
gratitude and soft-walking of the guest:
provisions and endurances of riverbeds,

mountain shoulders, windings through of tulip
poplar, grass, and sweet-frosted foxgrape:
are we to come into thes and leave them as

they are: are the rivers in us, and the slopes,
ours that the world's imitate, or are we
mirrorments merely of a high designing aloof

and generous as a host to us: what would
become of us is we declined and staked out
a level affirmation of our own: we wind

the brook into our settlement and husband the
wind to our sails and blades: what is to
be grateful when let alone to itself, as for

a holiday in naturalness: the albatross, ah,
fishes the waves with a will beyond the
waves will, and we, to our own doings, put

down the rising of sea or mountain slope, except
we do not finally put it down: still, till
the host appears, we'll make the masters here.

Having no souls, they have come,
Anyway, beyond their knowing.
Their instincts wholly bloom
And they rise.
The soft eyes open.

To match them, the landscape flowers,
Outdoing, desperately
Outdoing what is required:
The richest wood,
The deepest field.

For some of these, it could not be the place It is, without blood.
These hunt, as they have done,
But with claws and teeth grown perfect,

More deadly than they can believe.
They stalk more silently,
And crouch on the limbs of trees,
And their descent
Upon the bright backs of their prey

May take years
In a sovereign floating of joy.
And those that are hunted
Know this as their life,
Their reward: to walk

Under such trees in full knowledge
Of what is in glory above them,
And to feel no fear,
But acceptance, compliance.
Fulfilling themselves without pain

At the cycle's center,
They tremble, they walk
Under the tree,
They fall, they are torn,
They rise, they walk again.

It was not Frost, for on my Flesh
I felt Siroccos - crawl -
Nor Fire - for just my Marble feet
Could keep a Chancel, cool -

And yet, it tasted, like them all,
The Figures I have seen
Set orderly, for Burial,
Reminded me, of mine -

As if my life were shaven,
And fitted to a frame,
And could not breathe without a key,
And 'twas like Midnight, some -

When everything that ticked - has stopped -
And Space stares all around -
Or Grisly frosts - first Autumn morns,
Repeal the Beating Ground -

But, most, like Chaos - Stopless - cool -
Without a Chance, or Spar -
Or even a Report of Land -
To justify - Despair.

At rest on a stair landing,
They feel it moving
Beneath them now like the deck of a ship, Though the swell is gentle.

And deep in mirrors
They rediscover
The face of the boy as he practises tying His father's tie there in secret

And the face of the father,
Still warm with the mystery of lather.
They are more fathers than sons themselves now.
Something is filling them, something

That is like the twilight sound
Of the crickets, immense,
Filling the woods at the foot of the slope Behind their mortgaged houses.

Not for the proud man apart
From the raging moon I write
On these spindrift pages
Nor for the towering dead
With their nightingales and psalms
But for the lovers, their arms
Round the griefs of the ages,
Who pay no praise or wages
Nor heed my craft or art.

Rain falls into the open eyes of the dead
Again again with its pointless sound
When the moon finds them they are the color of everything

The nights disappear like bruises but nothing is healed
The dead go away like bruises
The blood vanishes into the poisoned farmlands
Pain the horizon
Remains
Overhead the seasons rock
They are paper bells
Calling to nothing living

The possessors move everywhere under Death their star
Like columns of smoke they advance into the shadows
Like thin flames with no light
They with no past
And fire their only future.

In the very essence of poetry there is something indecent:
a thing is brought forth which we didn't know we had in us,
so we blink our eyes, as if a tiger had sprung out
and stood in the light, lashing his tail.

That's why poetry is rightly said to be dictated by a daimonion,
though its an exaggeration to maintain that he must be an angel.
It's hard to guess where that pride of poets comes from,
when so often they're put to shame by the disclosure of their frailty.

What reasonable man would like to be a city of demons,
who behave as if they were at home, speak in many tongues,
and who, not satisfied with stealing his lips or hand,
work at changing his destiny for their convenience?

It's true that what is morbid is highly valued today,
and so you may think that I am only joking
or that I've devised just one more means
of praising Art with the help of irony.

There was a time when only wise books were read
helping us to bear our pain and misery.
This, after all, is not quite the same
as leafing through a thousand works fresh from psychiatric clinics.

And yet the world is different from what it seems to be
and we are other than how we see ourselves in our ravings.
People therefore preserve silent integrity
thus earning the respect of their relatives and neighbors.

The purpose of poetry is to remind us
how difficult it is to remain just one person,
for our house is open, there are no keys in the doors,
and invisible guests come in and out at will.

What I'm saying here is not, I agree, poetry,
as poems should be written rarely and reluctantly,
under unbearable duress and only with the hope
that good spirits, not evil ones, choose us for their instrument.

Proserpine may weep in rage,
But, ere I and you have done
Kissing, bathing in the sun,
What I have in yonder cage,
Bird or serpent, wild or tame,
She shall guess and ask in vain;
But, if Pluto does't again,
It shall sing out loud his shame.
What hast caught then? What hast caught?
Nothing but a poet's thought,
Which so light did fall and fix
'Mongst the reeds and flowers of Styx,
Yesterday,
Where the Furies made their hay
For a bed of tiger cubs, -
A great fly of Beelzebub's,
The bee of hearts, which mortals name
Cupid, Love, and Fie for shame.

I thought: "There is a waterfall
Upon Ben Bulben side
That all my childhood counted dear;
Were I to travel far and wide
I could not find a thing so dear.'
My memories had magnified
So many times childish delight.

I would have touched it like a child
But knew my finger could but have touched
Cold stone and water. I grew wild.
Even accusing Heaven because
It had set down among its laws:
Nothing that we love over-much
Is ponderable to our touch.

I dreamed towards break of day,
The cold blown spray in my nostril.
But she that beside me lay
Had watched in bitterer sleep
The marvellous stag of Arthur,
That lofty white stag, leap
From mountain steep to steep.

Pensive they paced along the faded leaves,
While slowly he whose hand held hers replied:
'Passion has often worn our wandering hearts.'

The woods were round them, and the yellow leaves
Fell like faint meteors in the gloom, and once
A rabbit old and lame limped down the path;
Autumn was over him: and now they stood
On the lone border of the lake once more:
Turning, he saw that she had thrust dead leaves
Gathered in silence, dewy as her eyes,
In bosom and hair.
'Ah, do not mourn,' he said,
'That we are tired, for other loves await us;
Hate on and love through unrepining hours.
Before us lies eternity; our souls
Are love, and a continual farewell.'

How many loved your moments of glad grace,
And loved your beauty with love false or true;
But one man loved the pilgrim soul in you,
And loved the sorrows of your changing face.

And bending down beside the glowing bars,
Murmur, a little sadly, how love fled
And paced upon the mountains overhead,
And hid his face amid a crowd of stars.

Was it doubted that those who corrupt their own bodies conceal themselves;
And if those who defile the living are as bad as they who defile the dead?
And if the body does not do as much as the Soul?
And if the body were not the Soul, what is the Soul?

2
The love of the Body of man or woman balks account--the body itself balks account;
That of the male is perfect, and that of the female is perfect.

he expression of the face balks account;
But the expression of a well-made man appears not only in his face;
It is in his limbs and joints also, it is curiously in the joints of his hips and wrists;
It is in his walk, the carriage of his neck, the flex of his waist and knees--dress does not hide him;
The strong, sweet, supple quality he has, strikes through the cotton and flannel;
To see him pass conveys as much as the best poem, perhaps more;
You linger to see his back, and the back of his neck and shoulder-side.

Yet gave me, in this dark estate,
To see the good from ill;
And, binding Nature fast in fate,
Left free the human will.

What conscience dictates to be done,
Or warns me not to do,
This teach me more than Hell to shun,
That more than Heaven pursue.

Yet not to earth's contracted span
Thy goodness let me bound.
Or think Thee Lord alone of man,
When thousand worlds are round.

Let not this weak, unknowing hand
Presume Thy bolts to throw,
And teach damnation round the land
On each I judge Thy foe.

If I am right, Thy grace import
Still in the right to stay;
If I am wrong, oh teach my heart
To find that better way!

Save me alike from foolish pride,
Or impious discontent,
At aught Thy wisdom has denied,
Or aught that goodness lent.

Teach me to feel another's woe,
To right the fault I see;
That mercy I to others show,
That mercy show to me.

Mean though I am, not wholely so,
Since quickened by Thy breath;
Oh, lead me wheresoe'er I go,
Through this day's life or death.

This day be bread and peace my lot;
All else beneath the sun
Though know'st if best bestowed or not,
And let Thy will be done!

To Thee Whose temple is of space,--
Whose alter earth, sea, skies,--
One chorus let all beings raise!
All Nature's incense rise.

Are absent here the silence scrapes
A secret rust from everything;
While sudden wreaths of sorrow's
Dust uncover emptiness like halls
To stumble through, and terror falls